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EUDEL, Paul.
Théatre.
Paris, Librairie Molière, 1903.
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900 €
First edition.
Collector and art critic, Eudel presents us with a collection of plays through which he makes a brief foray into the theater.
Unique copy, the only one printed in Japan.
Splendid personal copy of the author linked to his arms.
SAINT-EXUPERY, Antoine (de).
Lettre à un Otage.
New York, Brentano's, 1946.
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950 €
Very beautiful binding executed by Jean Paul Miguet (1925-2019) one of the greatest French bookbinders of the 20th century.
BERNARDIN DE SAINT PIERRE, Jacques-Henri.
Paul et Virginie.
Paris, Isidore Liseux, 1874.
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950 €
Edition illustrated by Lalauze with 6 lates and 2 vignettes.
One of 15 copies on China with additional suites of engravings on Chine paper(black, sepia and bistre) and Japan paper (black, sepia and bistre), ours n°1.
Desirable copy in signed binding.
LAURENCIN, Marie.
Petit Bestiaire.
Paris, François Bernouard, 1926.
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950 €
First edition, one of the 15 on Hollande with an additional suite of the etchings.
CENDRARS, Blaise.
L'Or. La merveilleuse histoire du général Johann August Suter.
Paris, Bernard Grasset, 1925.
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950 €
The rare first edition limited to 70 copies.
BRETON, André.
Les Manifestes du surréalisme avec le supplément des manifestes.
Paris, Editions du Sagittaire, 1955.
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1000 €
New augmented edition of the surrealist manifestos by André Breton.
Documents and numerous photographic illustrations by Man Ray, Denise Bellon, Dora Maar, Stieglitz, etc. Model by Pierre Faucheux.
One of 300 copies numbered and signed by André Breton, ours n°97.
Complete with its magnifying glass held by a ribbon and embedded in the last leaves as well as the rare supplement containing the 6 "original butterflies of Surrealism" (in a numbered envelope with the heading of the Sagittaire editions).
PROUST, Marcel.
Oeuvres complètes.
Paris, NRF, 1929-1936.
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1200 €
First complete edition of the works of Marcel Proust.
This edition by the NRF was an opportunity to bring together all the works of Marcel and to propose a first revision of the text with the collaboration of Robert Proust. It is also this edition which fixes the so-called "canonical" volume number of the Recherche.
The first fifteen volumes are devoted to the "A la Recherche du temps perdu", then come "Pastiches et mélanges", "Les Plaisirs et les Jours" and "Chroniques".
Numbered copies on Bruges rag paper with sheaf watermark.
Beautiful decorative set.
GOLL, Claire || CHAGALL, Marc.
Journal d'un cheval.
Paris, Editions Manuel Bruker, 1952.
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1200 €
First edition of illustrations.
Cover illustrated in color and 6 engravings by Marc Chagall.
The horse has always been at the center of Chagall's dreamlike work, it is an animal that is almost always present in the paintings of the Russian master. It is therefore natural that Manuel Bruker asked the painter to illustrate this short story by Claire Goll.
Chagall and Goll will become friends and Chagall will draw the tomb of Yvan and Claire Goll after the death of the latter in 1977.
One of the 105 copies on Vélin de Rives, ours n°138.
DARAGNES, Jean Gabriel || FARGUE, Léon Paul || COLETTE.
Rencontres.
Paris, Presses de Madame Daragnès, 1954.
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1200 €
First edition.
Book in the form of a tribute published by his friends after the death of Jean Gabriel Daragnès. Woodwinds from the artist accompanied by texts by Colette, Fargue, Segonzac...
Original gouache hand-signed by Daragnès (250x215 mm).
One of the 130 copies printed on Vélin blanc with an original painting, ours n°21.
VERNE, Jules.
Michel Strogoff.
Paris, Bibliothèque d'Éducation et de Récréation, J. Hetzel et Cie, [1876-1877].
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1200 €
"Aux deux éléphants" edition
Uncommon in blue by Engel.
FOUJITA || LOTI, Pierre.
Madame Chrysanthème.
Paris, Editions excelsior, 1926.
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1200 €
60 original color illustrations by Foujita.
1 of 25 copies on Arches out of market (initialled H.C).
LORRIS Guillaume de & MEUNG Jean de.
Le Roman de la Rose, par Guillaume de Lorris & Jean de Meun, dit Clopinel.
Revu sur plusieurs éditions & sur quelques anciens manuscrits. Accompagné de plusieurs autres ouvrages, d'une préface historique, de notes & d'un glossaire.
Paris, Veuve Pissot, 1735.
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1250 €
With the rare "Supplément au glossaire du Roman de la Rose (J.-B. Lantin de Damerey). 1737, J.Sirot at Dijon".
MARTY, Marcelle.
Moussa, le petit noir.
Paris, Crès, collection des Arts, 1925.
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1300 €
First edition limited to 365 copies.
Our, number 7, on of the 45 on "Madagascar", second paper after 5 on "Japon".
Very good copy.
GUS BOFA || DORGELES, Roland.
Synthèses littéraires et extralittéraires.
Paris, Editions Mornay, 1923.
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1500 €
First edition illustrated by Gus Bofa
This work is undoubtedly Gus Bofa's book with which his admirers have the most intimate connection. We find in these vignettes all the mastery of this brilliant stylist, and this sense of graphic formula which made him one of the fathers of modern drawing. In 40 satirical drawings Gus Bofa summarizes the work of 40 literary personalities from Proust to Loti via Schopenauer and René Maran. L'Agoisse with Edgar Poe, L'Intime with Zola, La Tentation with France, including the racist pun with Maran (black square for a black poet).
One of the 20 copies on Japan paper, ours n°7
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
LONGUS.
Les amours pastorales Daphnis et Chloé.
[Paris], [Coustelier], [1731].
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1500 €
Edition normally illustrated with a frontispiece and 8 figures by Scotin, and 4 unsigned vignettes.
In this copy, the illustrations from Scotin have been replaced by the famous suite "de Regenté, including a frontispiece by Coypel (replacing the title page dated 1731) and 28 superb figures including 13 doubles, engraved by Benoît Audran after the drawings of the regent Philippe d'Orléans.
The engraving "Petits pieds", engraved in 1728 and attributed to the Comte de Caylus has been, as often, added.
FRANCE, Anatole || JOU, Louis.
L'Ile des pingouins. Illustrations de Louis Jou.
Paris, Editions Lapina, 1926.
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1500 €
Copy 68, one of the 25 on 'Japon impérial' paper with additionnal etchings (two state of the etchings, a state with the copper barred and a complete suite of the woodcuts, all on japon paper.
JODELLE, Étienne.
Les Œuvres et Meslanges poetiques. Reveuës & augmentees en ceste derniere edition.
Lyon, Benoist Rigaud, 1597.
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1800 €
Third edition.
Rare.
BASTIA, Georges.
Le Zoo des Vedettes.
s.l., s.n., [v. 1950].
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2000 €
First edition printed at 400 numbered copies (n° 35), with 68 caricatures by Georges BASTIA (1904-1980), on 61 plates, , representing the stars of the show of the time such as Sacha Guitry, Jean Gabin, Gérard Philippe, Madeleine Renaud, Jean-Louis Barrault, Brigitte Bardot, Jean Marais, Simone Signoret, Yves Montand, Yvonne Printemps, Bourvil, Michel Simon, etc.
Although bearing the same title and including the same preface as the work published by Éditions Héracléïa v. 1946, this work is completly different.
The rarity of this edition comes from the fact that the quality of the plates which compose it is such that they are often sold separately and sometimes by mistake as original works.
Indeed, each lithograph has een enhanced with gouache by the artist, which gives a kind of uniqueness to each copy.
GRASSET, Eugène || GILLOT, Charles.
Histoire des quatre fils Aymon - très nobles et très vaillans chevaliers. Illustrée de compositions en couleurs par Eugène Grasset. Gravure et impression par Charles Gillot. Introduction et Notes par Charles Marcilly.
Paris, H. Launette, 1883.
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2000 €
The story of the four Aymon sons is a legendary tale, which was originally a gesture song from the French Carolingian era. The four heroes, sons of Duke Aymon, are introduced to the emperor Charlemagne and will live many adventures accompanied by an enchanter and a magical horse.
Their adventures are finely illustrated by Eugène Grasset (1845-1917), one of the representatives of Art Nouveau. It combines, with delicacy and simplicity, iconography inspired by the Middle Ages and the Knighthood with Art Nouveau style (with stylized forms and characteristic ornamental motifs such as flowers).
ARAGON, Louis.
Le Front rouge.
s.l., s.n., n°1 juillet 1931.
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2500 €
First edition of the poem Le Front Rouge.
Following the publication of Aragon's poem "Red Front" in the first issue of the journal "La Littérature de la Révolution mondiale", the government prosecuted the poet for provocation to assassination. Aragon in this poem indeed called for "getting down the cops" and "sweeping the Elysée". The copies of the magazine were therefore seized and destroyed by the courts.
The surrealists immediately took to the defense of their comrade and published a series of pamphlets and leaflets. André Breton notably defends the total freedom of poetry. However, Aragon did not recognize himself in Breton's texts and announced his break with the surrealist movement in March 1932. An important episode in French literary history during which each of the actors of the surrealist movement was able to express their position on the place poetry in society.
Rare copy of this magazine having escaped judicial seizure, absent from most collections devoted to surrealism.
André Vasseur, scholar and great collector of literary journals, has here supplemented the copy of the journal with 8 other pieces (brochures and leaflets) published by surrealist circles about this affair. On a page bringing together bibliographical notes in his hand, he notices that most collections of this type do not have number 1 of "La Littérature de la Révolution mondiale"
1- Le Surréalisme son autonomie, L'Affaire Aragon
(10 pages, extract).
3- BRETON, Misère de la poésie, l'Affaire Aragon devant l'opinion publique, Paris,éditions surréalistes, 1932
31 pages.
4- L'Affaire Aragon, [v. 1932]
(4) pages.
5- La Poésie Transfigurée, 30 janvier 1932.
(4) pages.
6- Protestation, Bruxelles 2 mars 1932
(1) page.
7- Paul ELUARD, Certificat,
(1) page.
8- Paillasse! (Fin de "L'Affaire Aragon"), mars 1932
12 pages.
9- Autour d'un poème, 5 avril 1932
4 pages.
COCTEAU, Jean || LHOTE, André.
Escales.
Paris, Éditions de la Sirène, 1920.
More Details >
3000 €
440 copies.
This (n° xviii) one of the 25 on Hollande paper, with an additionnal text 'Musée Secret' containing 5 erotical drawing in black from Lhote that is not in the normal paper.
LORRIS, Guillaume de || MEUNG, Jean de.
Le Roman de la Rose. Edition faite sur celle de Lenglet Dufresnoy, corrigée avec soin, et enrichie de la dissertation sur les auteurs de l'ouvrage, de l'analyse, des variantes et du glossaire publiés en 1737 par J.-B. Lantin de Damerey.
Paris, Fournier et Fils F. Didot, An VII (1799).
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4500 €
One of the 90 copies on large vellum paper wih portrait and engravings in two states.
Fine binding from Bradel l'Aîné.
BOCCACE, Jean.
Le décaméron.
Londres [Paris], s.n. [Prault], 1757-1761.
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5500 €
Rare when bound in contemporary morocco.
Very good copy.
CERVANTES, Miguel de.
Les principales avantures de l'admirable Don Quichotte représentées en figures par Coypel, Picart le Romain, et autres habiles maîtres avec les explications des XXXI planches de cette magnifique collection tirées de l'original espagnol de Miguel de Cervantes.
La Haye, Pierre de Hondt, 1746.
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6000 €
Scarce in Folio format of this edition of the Don Quichotte, usually found in-4to.
Engravings in first state without numbers.
[ÉLOGES et PORTRAITS (Collection Bruker)].
Ensemble de 46 ouvrages illustrés par Dufy, Marquet, Bofa, Utrillo, Hasegawa.
Monte-Carlo, André Sauret, 1948.
More Details >
10000 €
Manuel Bruker, was born in 1891 in Radaut, Romania. He was three years old when his family arrived in France and settled in Paris around 1894.
After studying medicine and receiving his doctorate in 1917, he became an ear, nose and throat specialist.
Dr. Manuel Bruker was, in the words of Pierre Mac Orlan, a "book lover" with a real passion for art.
In 1926, at the age of thirty-five, he created his own publishing house on the advice of his friend Dr. Lucien-Graux, "the prince of bibliophiles".
Between 1931 and 1963, Bruker devoted himself to what was to be the most original and personal part of his work as a publisher: the creation of Praise and Portraits of Artists. He chose among his contemporaries those whose work he particularly esteemed; collaborating with them, he commissioned prints to illustrate the texts, which were written by writers or art critics often close to the artist. During these three decades Manuel Bruker publishes forty-six Praises and Portraits.
These works, which testify to the publisher's aspirations in the field of illustrated books - Manuel Bruker considered this field to be "a production in which France has been able to take the lead" - have rarely been brought together. They have been the subject of three exhibitions, the first at the municipal library of Toulouse in 1958, more recently at the Meguro Museum of Tokyo in the fall of 2003, and then at the Museum of Fine Arts of Bordeaux in 2005, from whom we borrow this introduction.
A very rare and complete collection of the 34 "Praises" and 12 "Portraits" published by Manuel Bruker.
If most of these works are easy to find, some are rare, such as the portrait of Hasegawa
Most of them are printed at 200 copies, some at 150 or 250 copies.
The "Eloges" :
Eloge de Raoul Dufy par Fernand Fleuret. Paris, 1932.
Eloge de J.-E Laboureur par le Dr Lucien-Graux. Paris, 1938.
Eloge de H. de Waroquier par A.- H Martinie. Paris, 1945.
Eloge de Pierre Bonnard par Léon Werth. Paris, 1946.
Eloge de Bernard Naudin par Claude Roger-Marx. Paris, 1947.
Eloge de Albert Marquet par Léon Werth. Paris, 1948.
Eloge de Gus Bofa par Pierre Mac Orlan. Paris, 1949.
Eloge de Jean Frélaut par Jacques de Laprade. Paris, 1950.
Eloge de Lucien Mainssieux par Manuel Bruker. Paris, 1950.
Eloge de Marcel Vertès par Georges Huisman. Paris, 1951.
Eloge de Louise Hervieu par Claude Roger-Marx. Paris, 1953.
Eloge de Henri Manguin par Charles Terrasse. Paris, 1954.
Eloge de Jacques Villon par Jacques Lassaigne. Paris, 1955.
Eloge de Maurice Brianchon par Claude Roger-Marx. Paris, 1955.
Eloge de Yves Brayer par Jean Bouret. Paris, 1955.
Eloge de Maurice Utrillo par Renée Willy. Paris, 1956.
Eloge de J.-G. Daragnès par Pierre Mac Orlan. Paris, 1956.
Eloge de Charles Camoin par Charles Vildrac. Paris, 1956.
Eloge de Van Dongen par Paul Guth. Paris, 1957.
Eloge de François Desnoyer par Jean Bouret. Paris, 1958.
Eloge de Clavé par Pierre Osenat. Paris, 1958.
Eloge de Gromaire par Guy Dornand. Paris, 1958.
Eloge de Cavaillès par Jean Cassou. 1958.
Eloge de Derain par Marc Sandoz. 1958.
Eloge de Roland Oudot par Claude Roger-Marx. Paris, 1958.
Eloge de Maurice Asselin par Marc Sandoz. Paris,1959.
Eloge de André Lhote par Guy Dornand. Paris,1960.
Eloge de Louis Neillot par Jean Bouret. Paris, 1962.
Eloge de Jean Lurçat par Robert Mallet. Paris, 1962.
Eloge de Robert Humblot par Claude Roger-Marx. Paris, 1962.
Eloge de Georges Oudot par Guy Dornand. Paris, 1962.
Eloge de Emile Bernard par Louis Hautecoeur. Paris, 1962.
Eloge de Michel Rodde par Gérard Mourgue. Paris, 1963.
Eloge de Dunoyer de Segonzac par Maurice Loncle. Paris, 1963
The "Portraits" :
Portrait de J.-L. Soulas par Jacques de Laprade. Paris, 1950.
Portrait d’A. Jacquemin par Louis Cheronnet. 1951.
Portrait d’Albert Decaris par lui-même. Paris, 1953.
Portrait de D. Galanis par André Beucler. Paris, 1954.
Portrait de Robert Lotiron par Claude Roger-Marx. Paris, 1955.
Portrait d’Abram Krol par Maurice Toesca. Paris, 1957.
Portrait de Jacob Balgley par Claude Roger-Marx. 1959.
Portrait de Monique Jörgensen par elle-même. Paris, 1959.
Portrait de Germaine de Coster par Raymond Cogniat. Paris, 1960.
Portrait de Ilya Bechkov par Bogomil Raino. 1960.
Portrait de Kiyoshi Hasegawa par Robert Rey. Paris, 1963.
Portrait de Hélène Marre par Jean-Luc Michaud. Paris, 1963.
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